Without a doubt, fashion can attract crowds to museums: 708,000 visitors went to Dior’s exhibition in the Musée des Arts decoratifs (Mad) in Paris in 2017. More recent, the retrosive that Dolce -ithet Mand Palais A -La -Palais is 410,000 people in three months, despite the rate of 22 years.
The phenomenon does not show signs of detention, judging by the program that begins in June in Museums of Decorative Arts (Paul Poiret in Mad, Rick Owens in Palais Galliera, Yiqing Yin de la Dentelle in Calais) in his exhibition of Diororbergh, exhibition of Diororbergh, in the exhibition of Galerie Museure). In addition, fashion is coming out of its usual framework when entering museums of Fine Arts.
On January 24, the Louvre, despite not having clothes in its collections, except thirteen layers of the order of the Holy Spirit, began this trend with “Louvre Couture”, an exhibition that combines art objects with designers’ outfits. Since March 26, its counterpart, the Louvre lens has also organized garments for the first time, focusing on the link between the artist and his outfit. As of May 7 in Petit Palais, the Museum of Fine Arts of the city of Paris, an exhibition on Charles Frederick Worth (1825-1895), presented as “the inventor of Haute Couture”, will open.
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